Hahndorf, South Australia

Around Town

Enjoying a mad feed of Bratwurst and Debrecziner German Sausages, potatoes, sauerkraut, mustard and a pretzel

Gumby in Hahndorf circa 1982

​To promote and encourage colonisation of the newly established Adelaide, 38 German Lutheran families that were fleeing persecution from the King of Prussia immigrated in 1839 to the new colony arriving on the board the 'Zebra' captained by Dirk Hahn. 

The newly settled immigrants, including an additional 14 families who were already in South Australia named their new town, Hahndorf or Hahn's Village, after Captain Hahn, who assisted the families in acquiring the land. Hahndorf, now a heritage listed Germanesque town is located approximately 30 kilometres east of Adelaide in the picturesque Adelaide Hills.  

The Cedars - The House of Hans Heysen

Hans Heysen

At various intervals around the grounds, copies of paintings are displayed in lift-up metal cases of works Hans completed in that exact location. The landscape remains to this day relatively unchanged. 

Sir Hans Heysen OBE, born Wilhelm Ernst Hans Franz Heysen in 1877 was a German immigrant, a prolific painter, a husband to Sallie and father to their eight children who lived at The Cedars in Hahndorf from 1912 until his death in 1968. Hans was known for his water-colour paintings of landscapes and eucalypts, of which many he painted at the The Cedars, but he also had immense talent for painting still-life. Most notably a painting produced for his wife depicting grapes, fruit and a vase of flowers, as left on his front verandah by a friend as a thank-you gift. The painting is titled, 'Zinnias with Autumn Fruit' or 'Flowers and Fruits' and when the famous Russian ballerina, Anna Pavlova saw it whilst attending a dinner party at the Heysen home, offered Hans a blank cheque for the painting. Hans kindly refused, after all it was a gift to his wife, and still to this this day the painting remains eloquently displayed in the dinning room of The Cedars for viewing; whilst on the tour of the house, studio and grounds. Shovel and I took the guided tour of the property on a recommendation from the caravan park, knowing nothing of the artist or his work, but left feeling spiritually full-filled. I say this not with any religious connotation, because as far as we were lead to belief Hans himself wasn't religious, but the atmosphere of the grounds and interior of his studio and home were captivating with an alluring charm. The studio is the oldest purpose built studio still available for viewing in Australia, and was constructed by Hans after purchasing The Cedars, of which he used the proceeds from one of his first exhibitions. Hans dedicated his life to painting, his family and to conservation. He acquired many of the surrounding properties, not with the intent of felling the trees for agriculture, as many others were doing at the time, but rather to preserve them and natural environment, as subject matter for his paintings. Hans ceased painting still-life when he realised his daughter, Nora had a talent for painting and was interested in still-life. Nora went onto become a prolific artist in her own right, but possibly without the same flare and attention to detail as her father. Art however will remain forever subjective and as they say 'beauty is in the eye of the beholder', but Hans's 'Zinnias with Autumn Fruit' as seen in real-life I believe is absolutely stunning with many intricate details and gorgeous layers. It is easy to see why Anna Pavlova wrote a blank cheque for it. Although Hans did not give up his precious gift to his wife he did paint a similar picture for Anna and sent it to her in Russia. She returned the painting with a note saying, 'If I can't have the one I want, I don't want any at all.'  Quite foolish you might say given Hans's immense notability. Hans remained an enigma in the art scene, rarely taking up invitations and although he travelled to Europe in his younger years to paint and ventured to the Flinders Rangers on several occasions, was content painting within his home town of Hahndorf, surrounded by his adoring wife and family. Today we learnt of a beautiful story, told by an endearing tour guide, that forms a fascinating part of our Australian Art History. 

Hans Heysen retreating from his Studio

The large tree in front of the studio, as seen in the black and white photo with Hans was recently felled due to safety concerns, opening the studio outwards towards the landscape, whereas before, the building was nestled within the landscape. 

Photos can only be taken inside the studio and through the grounds. Therefore, if you want to see a few of his paintings on display and the interior of the house you will need to get yourself to Hahndorf.